Coin-in-slot Machine Phonograph Entertainment History
- The machine, an “Edison Class M Electric Phonograph” with oak cabinet, had been fitted locally in San Francisco with a coin mechanism invented and soon patented by Louis T. Glass and William S.
- Although initially used as a dictating machine for offices, the phonograph proved to be a popular form of entertainment, and Edison eventually offered a variety of recording selections to the public through his National Phonograph Company.
- Coin-in-slot Machine Phonograph Entertainment History 1930
- Coin-in-slot Machine Phonograph Entertainment History Youtube
- Coin-in-slot Machine Phonograph Entertainment History 1900
- Coin-in-slot Machine Phonograph Entertainment History Channel
| The firsttalking machine was invented by Thomas A. Edison in 1877. This crudemachinewas hand operated and was named the Phonograph (meaning Voice-writer).To record sound the operator spoke loudly into the mouth piece. Thesoundwaves were embossed by a stylus on a sheet of soft tin foil wrappedarounda revolving cylinder. To replay the sound a second stylus was run alongthe groove, picking up the embossed vibrations and transmitting them toa diaphragm from which a copy of the original sound could be heard. Edisonhad previouslyexperimented with a variety of moving surfaces including tape, disc andcylinder. He chose to use a cylinder because of the technicalsuperiorityof its constant groove speed. Between1877 and 1886Edison did little to improve the Phonograph, devoting much of thisperiodto the perfection of the electric light globe and a system for thedistributionof electricity. | 1877 ThomasEdison inventstin foil Phonograph. Reproductiontin foilphonograph |
| In 1881Charles SumnerTainter made the next improvement to the talking machine. He found thatif he coated the cylinder of an Edison Phonograph with wax and incisedthe grooves (rather than embossing) he could achieve betterreproduction. In 1886Sumner Tainterapplied for patents on a new talking machine, called the Graphophone,whichused wax covered cardboard cylinders for records. Pixies of the Forest promises to enchant you with its fairy-inspired gameplay and fantasy-worthy setting. Designed by IGT, Pixies of the Forest features tumbling reels, free spins and plenty of pixie charm. This free slot game brims with pretty pastel hues and sleekly. Play Wild Pixies online: Check out our slot review below Wild Pixies Introduction. Wild Pixies is an enchanting slot set in a magical forest where pixies, magic butterflies, fairies, and other fantastical creatures live. Wild Pixies is made up of five reels, three rows, and a total of 20 fixed paylines. Enchanting Pixie is a 5-reel, 30-line online slot game with free spins, instant play, autoplay, video slots, wild symbol, scatter symbol, fantasy, magic, forest and fairies themes you can play at 5 online casinos. Enchanting pixie slot online free. When it comes to real money online slot gaming, Pixie Magic is a amazing fun for reel spinning. Created by Nucleus Gaming, this title features a visually stunning theme, with simple game mechanics. Just place your bet and get the magic going! Watch for the Silver Pixie to earn free spins and the Crimson Pixie to award instant prizes! At thistime the talkingmachine was mainly considered as an office dictating machine. It was tobe many years before the first home entertainment talking machines weredesigned. | 1881 CharlesSumnerTainter uses wax recording surface. |
| Edison,perturbedby the appearance of a rival talking machine, began to work again onthePhonograph in 1886. Within a year he had produced a new design for thePhonograph. Like the Graphophone it too used wax cylinders, but itsperformancewas vastly superior. It was driven by an electric motor. By 1892musical cylinderswere being manufactured and sold. The coin-in-the-slot Phonograph,ratherthan the home entertainment machines were the biggest source of revenuefor the record makers. TheGraphophone provedto be both a technical and financial failure and in 1894 the AmericanGraphophoneCompany was reorganised as the Columbia Graphophone Company, and a newGraphophone was placed on the market. TheColumbia Graphophoneused many of the features of the improved Phonograph. It actually usedrecords of the same dimensions as the Edison records. However theGraphophonewas driven by a small spring motor. Also the Columbia Graphophone wasaimedat the home entertainment market. To counter this, in 1896 Edisonintroduceda new range of spring motor Phonographs for the home market. Sales ofboththe Graphophone and the Phonograph steadily increased. | 1886 EdisonperfectsPhonograph. |
| In 1893a new talkingmachine of totally different design to the cylinder machines was put onthe market. Emile Berliner had devised a machine which he called theGramophone.Compared with the cylinder machines it was very crude, being handcranked.It used disc records seven inches in diameter. It was however louderthanthe cylinder machines, and the records were cheaper and easier to store. Thebiggest differencewas that whereas the cylinder records used hill and dale (up and down)vibration of the grooves, the Gramophone records used lateral (side toside) vibrations. Also the Phonograph could be used for makingoneâsown records; the gramophone had no such facility. By 1897spring motordriven Gramophones were on the market and sales began to soar. Otherdisctalking machines, such as the Zonophone and the disc Graphophone, soonappeared. When 10and 12 inchdisc records were placed on the market, the extra playing time gavethema distinct advantage over the cylinders which only played for about twominutes. Edison was to counter this by producing in 1908 a new cylinderrecord called the Amberol record which played for four minutes. This heachieved by using finer grooves rather than larger records. The firstdecade ofthe twentieth century saw a number of other types of records andtalkingmachines being placed on the market. Many of these were withdrawn aftera short existence due to their infringement of basic patents. One thatsurvived for about twenty five years was the Pathéphone.Pathédiscs had hill and dale grooves and used a sapphire stylus. For a largepart of their existence Pathé produced disc records that startedin the centre and finished on the outer edge. | 1893 Berlinerinventsand markets the Gramophone. |
| In 1906internal hornmachines, where the horn was built inside a cabinet, appeared in theshops.There was the Victrola, followed by the Graphonola, the Amberola andmanyothers. Within six year the external horn machine had all but vanishedfrom the market. The nextmajor improvementto the cylinder records came in 1912 with the introduction by Edison ofthe Blue Amberol record. These were made from celluloid, wereunbreakableand gave excellent reproduction. | 1906 Internalhorn machinesput on market. |
| In 1913the EdisonDiamond Disc Phonograph was introduced. These used quarter inch thickrecordswith hill and dale grooves and a diamond stylus. Although they gavesuperiorreproduction, their weight and their cost made it difficult for them tocompete with the thin shellac 78âs. | 1913 EdisonintroducesDiamond Disc Records. |
| By theearly 1920âsmost of the basic patents had expired, and many other companies begantoproduce talking machines; now generically known in Australia and theUnitedKingdom as gramophones, but known in America as phonographs. As well asHis Masters Voice and Columbia, some of the new brands included Sonora,Decca and Brunswick. Australian brands included Tonophone and Rexonola,and the Edmac which is Western Australian made. There were many otherbrands. By themid twentiesthe introduction of radio broadcasting cause a drop in record sales. Inresponse the record companies introduced electrical recordings and anewrange of technically advanced machines (such as the HMV OrthophonicGramophone)to play them. The increased loudness and improved tonal qualitiesrevivedthe sales of both records and talking machines. | 1920's Recordsales declinedue to introduction of the wireless. Wirelesswith hornspeaker |
| Edison,now the solesurviving cylinder record manufacturer, introduced Long Playing DiamondDisc records in 1927 to combat the increasing popularity of thewireless.They had 450 grooves to the inch and each side of a 12 inch recordcouldplay for 20 minutes. However they were lacking in tone and loudness. In1929, with the depression approaching, Edison closed down hisphonographbusiness and the market was left to the shellac 78âs. Apartfrom a steadyimprovement in fidelity, there was little development of the talkingmachineduring the 1930âs. Various electric gramophones with electricpick-upsthat could be connected to a wireless were manufactured, but the numberof gramophones and records sold was relatively low. Portable acousticgramophoneshowever sold well, even into the 1950âs. | 1929 LastPhonographsand cylinder records produced. |
| Thedemise of the78 record began with the introduction of the unbreakable, Long Playingmicrogroove record. In 1948 Columbia introduced the 33 1/3 rpm LPrecords,followed soon after by the 45 rpm records from RCA Victor. Online casinos with 20 dollar deposit. In the1950's in Germany,a rival for the LP record player was the Tefifon. This device usedcartridgesof endless plastic tape on which the microgrooves were recorded. Thesmallcartridges played for an hour, with larger cartridges playingsubstantiallylonger. Tefifons, including stereo versions, were marketed until themid1960's. | 1948 Microgrooverecords(LP) and the Tefifon introduced. Tefifon withcartridgeloaded for playing |
| Magneticrecordingwas developed during the war years. By the late 1940's magnetic wirerecordersbecame widely available. Sound was recorded as patches of magnetism ona very fine steel wire threads moving at 20 inches per second. Howeverby 1950, plastic based magnetic tapes and tape recorders, which weremoreconvenient than wire recorders, were available. In themid-1960'sthe Compact Cassette, originally developed in 1962 by Philips as adictationmachine, became available as a domestic recorder, and along with itspre-recordedmusic tapes, it became the dominant form of magnetic recording for thenext twenty years. The 8 Trackstereocartridge was introduced in 1966. It was originally designed for use inLear Jets and luxury cars. Its convenience and robustness made it asuccessfulaccessory for cars, but it was difficult for the user to access musicselectionson the tapes, and they soon disappeared. | 1940's - 1960's Magnetic recording on tapes on reels,cartridges orcassettes was developed. |
| The continueddevelopment of high fidelity and stereophonic records had maintainedinterestin the LP discs, only for them and the Compact Cassettes to bedisplacedby digital recordings on the Compact Discs in the 1980's. | 1982 CompactDiscs introduced. |
Coin-in-slot Machine Phonograph Entertainment History 1930
From 'Care and Conservation ofTalkingmachines' by Richard Rennie - Copyright
Apr 30, 2007 The success of the disc was such that in 1912, Edison at last began offering disc-type phonographs and records for sale in recognition of the large number of disks on the market. Cylinder machines and records, however, were still produced until the demise of Edison’s Entertainment Phonograph division in 1929. Electrical Recordings. On December 7, the day after Kreusi finished making a fully fledged phonograph, Edison went to Scientific American‘s New York office with two colleagues to show off the phonograph. By 1891 recordings were introduced to public entertainment as coin-in-slot machines, and soon included some Jewish monologues, skits, and songs. One of the most widespread Jewish subjects on recordings was cantorial music. Gershon.Sirota was the first cantor to record liturgicals commercially.
Lightand Sound Discovery Centre
Coin-in-slot Machine Phonograph Entertainment History Youtube
Coin-in-slot Machine Phonograph Entertainment History 1900
Coin-in-slot Machine Phonograph Entertainment History Channel
.